I try to make visible what cannot be seen, the emotions that quietly shape the way we live and act.

My work grows out of a long process of observing how feelings transform our perception of reality.

Since 1995, this exploration has led me from charcoal drawings to fluid, evolving forms, where emotion becomes the force that shapes the image

I began to describe my work as Metamorphic Expressionism when I realized that I was no longer shaping forms as they are, but allowing them to transform, bend, and evolve with emotion.

In my work, form is never fixed. It shifts, softens, and reconfigures, moving between figuration and abstraction. These transformations are not deliberate distortions, but responses to inner states, moments where emotion begins to define structure.

The figures I create do not represent stable identities. They exist as fluid presences, shaped by feeling rather than appearance. As form changes, meaning changes with it. Nothing remains final or resolved.

Metamorphic Expressionism is not a style, but a way of seeing, where form is constantly becoming, and emotion is what gives it shape.