I am a painter interested in how emotions can reshape the way we see and understand reality. In my work, forms are not fixed; they stretch, soften, and transform, much like the emotional states they carry.

I create figures that exist somewhere between figuration and abstraction.

They don’t represent specific individuals, but rather emotional conditions. Most of them are faceless, yet they hold a quiet sense of empathy, as if they are shaped by feeling rather than identity.

Certain elements appear repeatedly in my work, such as fish and organic structures. For me, they speak about fragility and resilience at the same time, about how something can be vulnerable and still endure.

I also use the image of the egg as a symbol of new life and the unknown, feathers as a quiet presence of inner calm, and keys or locks as traces of an ongoing search for meaning, something we are often drawn into without fully understanding

Surface is an important part of my process. I work in layers, allowing each one to leave a trace. Over time, the painting becomes a record of transformation, not only of form, but of the emotional journey behind it.

Metamorphic Expressionism

Metamorphic Expressionism is a way of working where form is not fixed, but constantly changing. I reshape and distort figures as a response to emotion, allowing them to move between abstraction and figuration.

Instead of describing a stable identity, these forms reflect something more fluid, a state of being rather than a defined subject. As they change, their meaning shifts as well. Nothing is final; everything remains open, like emotion itself.