I am a painter interested in how emotions shape the way we perceive and experience reality.

My work moves through fluid and transforming forms, where figures are stretched, softened, and reconfigured. These changes are not constructed as distortions, but emerge from inner states, moments where emotion begins to define structure.

I often think of the figures I create not as identities, but as presences. They are shaped by feeling rather than appearance, existing in a constant process of transformation where nothing is fixed, and meaning remains open.

Certain elements return throughout my work. Fish, for example, appear as symbols of fragility and resilience at the same time. Other forms, eggs, feathers, keys, and locks, reflect ideas of emergence, inner peace, and the ongoing search for meaning.

My surfaces are layered and textured, built over time. Each layer carries traces of a process, a moment of pause, a shift, or a quiet realization.

I describe this approach as Metamorphic Expressionism, a way of seeing where form is never stable, and emotion is what gives it shape.